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• Director Barnabás Tóth
• 2019
• Klára Muhi
• Liked It 419 vote
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• A lyrical story of the healing power of love in the midst of national conflict, loss and trauma, Those Who Remained reveals the healing process of Holocaust survivors through the eyes of a young girl in post-World War II Hungary

 

Film a gyökér, idióta, és teljesen szánalmas social media generációról. Hannah, Alex. #13rw 😍😍😍😍. Ez egy teljes film lesz? Elég érdekesnek tűnik. A szívem meg szakad. aki tudja. nekem kellett a feleségemet. azt hiszem. aki ezt csinálta nem számolt. velem. imádom. és azt is, hogy Judit néni. a VUK hangja. volt. jjjajjjj.

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Sablonos szar. Respectifs les empechent. Ezt Troye SIlva-tól ismertem meg, tetszik a film. Meg akarom nézni. Remélem legközelebb egy transznemű, félig német küklópsz elfajzott kapcsolatát mutatják be, egy tangóharmonikás, szakállas malacemberrel. Tényleg erre van igény. While many holocaust survivors openly express rage and uncontrolled bitterness towards their persecutors, other survivors display only an emotional deadness and a pervasive feeling of being alone and scared. In the movie "Fateless, Gyuri, a young man sent to Buchenwald, moves from a childlike innocence to world-weariness in the span of one year. When he comes home, he feels more alone than he did at the camp and even expresses a sort of homesickness for the camaraderie he felt. As a disfigured Holocaust survivor in Christian Petzold's "Phoenix, Nina Hoss' shattered look, repressed emotions, and shaky voice feel so natural that her gradual awakening to life epitomizes a Phoenix rising from the ashes.
Hungary's entry for Best International Feature Film at the 2019 Academy Awards, Barnabás Tóth's ( Camembert Rose" Those Who Remained (Akik maradtak) asks us to rethink our idea of what liberation meant to those just released from the camps. Based on the 2004 novel of the same name by Zsuzsa F. Varkonyi and set in Budapest between 1948 and 1953, the suffering of the Holocaust years are deeply etched on the face of Doctor Aládar (Aldo) Körner (Károly Hajduk, One Day. a slender, gaunt man of about forty who is going through the motions of his Ob-Gyn practice at a Budapest hospital, but the look in his eyes cannot hide the trauma of his wife's death and that of his two young boys.
Coming from the Israelite Community Orphanage, Klára (Abigél Szõke, X - The eXploited. a mature-looking 16-year-old girl, sees Dr. Körner, for a gynecological exam to find out why her puberty has come so late. At first, angry, fearful, and wound into a tight knot, when she reaches out and suddenly embraces the doctor, it is clear that she is seeking more than an exam but a respite from her desperate loneliness. Outspoken in her disdain for her classmates at school and her great-aunt Olgi (Mari Nagy, Budapest Noir" with whom she lives, Klára only begins to reveal her repressed humanity when Aldo responds to her like a fellow human being in pain, not a wounded animal.
Bringing the film to life with her tremendously affecting performance, Szõke refuses to return to Olgi even though she loves her and wants her to be happy. Instead, she moves in with Aldo who acts as a foster father, sharing custody with her aunt. He makes the rules, however, and is strict about physical contact, especially when she crawls into bed with him at night. Gradually, both open up though to each other. They talk about God, her parents, the sister she feels guilty about not being able to save from death, and, in a tender scene, he shares with her his photo album from before the war.
Though Aldo strictly adheres to the rules of propriety, their developing relationship raises some eyebrows, and the interest of Soviet operatives. Amidst talk of a Soviet crackdown on personal freedoms, Aldo and Klára do their best to be discreet, but it does not prevent others from gossiping. In one instance, after being seen in a park laying her head on Aldo's lap, Klára is defiant when interrogated by a Communist official. Similarly, Pista (Andor Lukáts, The Whiskey Bandit. Aldo's colleague at work, says that people have disappeared during the night and tells him that he has joined the Communist Party and has been asked to inform on him.
Those Who Remained is an intimate look at two damaged souls who have been bruised and shaken by life but are now ready to begin the reconstruction of their life, a process which will, in Percy Bysshe Shelley's phrase "lift the veil from the hidden beauty of the world." Knowing that any expression of the love they feel for each other will push the boundaries of what is considered acceptable, both realize that their protestations of innocence will not be enough to keep them safe, and that they must now reach out to others, bringing solace and joy in a world in dire need of both.

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Variety Presents ‘Ten Europeans to Watch’ at Medienboard Party in Berlin 23 February 2020 Variety Variety’s “10 Europeans to Watch” were feted Saturday night at a party held by Medienboard Berlin-Brandenburg at Berlin’s Ritz-Carlton Hotel. Co-hosting the evening were Kirsten Niehuus and Helge Jürgens, managing directors of Medienboard, the regional film, TV and digital-media funding body. Pictured above are U. K. filmmaker and rapper Andrew Onwubolu, known by his alias Rapman, Irish producer Fodhla Cronin O’Reilly, Italian director Carlo Sironi (“ Sole ”), German director Leonie Krippendorff (“ Cocoon ”), Estonian director Tanel Toom, Germany-based Kosovan director Visar Morina (“ Exile ”), and Hungarian actor Abigél Szõke (“ Those Who Remained ”). Before welcoming to the stage some of Europe’s most promising stars of tomorrow, Variety executive VP of content Steven Gaydos noted: “Variety is celebrating our 115th year covering international entertainment, before people were watching movies. ” He also shared the story of local producer Sol Bondy, who met Russian producers Ilya Stewart and Murad Osmann at Variety’s “10 Producers to See full article at Variety » Hungarian cinema is preparing the future in Berlin - Berlinale 2020 – Efm 19 February 2020 Cineuropa At the Efm, the new National Film Institute will be pinning its hopes on a series of titles currently in post-production, many of them feature debuts. Although Hungarian productions are absent from the selection of new films at the 70th Berlinale (20 February - 1 March), that is not the case at the European Film Market, which will be attended by Nfi World Sales, the international sales division of the Nfi (National Film Institute), the new public entity which replaces the Hnff ( Hungarian National Film Fund). Standing out from the line-up handled by Klaudia Androsovits are Those Who Remained by Barnabas Tóth (which had made the shortlist for this year's Best International Film Oscar), Final Report by István Szabó (coming out on 27 February in the cinemas of its country) and the fascinating Eden by Ágnes Kocsis (recently revealed in Rotterdam), as well as On The Quiet from promising director Zoltán... See full article at Cineuropa » Variety Unveils 10 Europeans to Watch for 2020 16 January 2020 by Variety Staff Variety has unveiled its sixth edition of 10 Europeans to Watch, spotlighting 10 rising talents from across the continent who are poised for breakthroughs in 2020. The selection includes emerging actors, directors, writers and producers. The group will be feted at the upcoming Berlin Film Festival. They are: U. actor Sam Adewunmi, star of Sundance film “ The Last Tree ” who was nominated at the British Independent Film Awards and won the most promising newcomer prize from the org. He’s filming the BBC adaptation of Terry Pratchett ’s “ The Watch ” in South Africa. Fodhla Cronin O’Reilly produced William Oldroyd ’s “ Lady Macbeth, ” Florence Pugh ’s powerful film debut. She’s got Francis Lee’s “ Ammonite, ” with Kate Winslet and Saoirse Ronan, on her docket. German writer-director Nora Fingscheidt ’s “ System Crasher ” debuted at the Berlin Film Festival last year and repped Germany in the international film race. She is now helming Sandra Bullock International Contenders: "Those Who Remained" 11 January 2020 by Abe Fried-Tanzer FilmExperience by Abe Fried-Tanzer There are many films that have been made about the Holocaust, which to some may feel repetitive but ultimately represents a positive testament to the millions of people who lost their lives and whose fates, while assumed, may still not be entirely known. Invented characters can be useful to convey the experiences of the nameless within an enormous population that did not live to see its own story told. Hungary last won the Oscar for Best Foreign Film for the Holocaust movie Son of Saul (2015), and now it could be in the running again for a smaller-scale Holocaust film Those Who Remained, which unexpectedly made the shortlist of ten films that are vying for the five nominations on Monday. In this quiet, intimate drama, Klára ( Abigél Szõke) clings to the hope that her parents may still be alive as she tries to conduct a normal life with her remaining local relative, See full article at FilmExperience » Hungary’s Oscar© Entry for Best International Feature ‘Those Who Remained’ Directed by Barnabás… 05 January 2020 by Sydney Levine SydneysBuzz Hungary’s Oscar© Entry for Best International Feature ‘ Those Who Remained ’ Directed by Barnabás TóthBarna, as Barnabás Tóth is called, has the rare occurrence of having two films in two consecutive years shortlisted for the Academy Award Nomination. Last year his short film, ‘Cuchotage’ and this year his international feature ‘ Those Who Remained ’ have been shortlisted. The road Barna and his producer traveled to get this film made was long and arduous. I spoke with him on the phone from Budapest and again in the Q&a for the Academy members screening held at the Four Seasons Hotel in Beverly Hills before he and his lead actress, Abigél Szõke, left for Palm Springs Film Festival where the film will show again. Those Who Remained reveals the healing process of Shoah survivors through the eyes of a young girl in post-World War II Hungary. It is a lyrical story of the See full article at SydneysBuzz » European (co-)productions dominate the International Feature Film Oscar shortlist - Oscars 2020 17 December 2019 Pain and Glory, Les Misérables, Honeyland, Corpus Christi, Those Who Remained, Truth and Justice, The Painted Bird, Beanpole and co-production Atlantics are vying for the award. After having closed the submission period for the International Feature Film category (formerly known as Foreign Language Film) in October, the 92nd Academy Awards has selected ten films that will advance to the next round of voting in the category. A record of 93 films had been submitted to the Academy (see the news). This year, the Old Continent is dominating the shortlist: submissions from nine European countries have been selected. Pedro Almodóvar 's Pain and Glory, one of the year's biggest international hits and the new effort by a tireless maestro, leads the pack with the biggest chances to win the award, although it would have to beat the absolute frontrunner, Palme d'Or winner Parasite by Korea's Bong Joon-ho. Backing the veteran Spanish filmmaker, Ranveer Singh, Alia Bhatt starrer 'Gully Boy' out of Oscars 2020 race GlamSham Zoya Akhtar 's " Gully Boy ", which was India 's official entry to the Oscars in the Best Foreign Language Film category, is out of the race. The Academy of Motion Picture Arts and Sciences on Monday released a shortlist of ten films in the Best FOrein Language Film category for the 92nd Academy Awards, and " Gully Boy " failed to make the list. Also Read:? Parth Samthaan shake a leg on Ranveer Singh 's song The film is based on the lives of rappers Naved Shaikh, popularly known as Naezy, and Divine (Vivian Fernandes), although many have noted stylistic and narrative likeness with the Hollywood biopic, "Straight Outta Comption" In " Gully Boy ", Ranveer's character used rap as a tool to express his views on society and life in Dharavi, one of the largest slums of Asia. The film became a superhit on release in February. Expressing his joy over the selection, See full article at GlamSham » Oscar Best International Film shortlist announced by Anne-Katrin Titze - 2019-12-16 23:52:54 16 December 2019 by Anne-Katrin Titze Bong Joon-ho's appealingly invasive Cannes Palme d'Or winner Parasite makes the 92nd Academy Awards International Film shortlist Photo: Anne-Katrin Titze In April of 2019, the Academy of Motion Picture Arts and Sciences changed the Best Foreign Language Film category to Best International Feature Film. The 92nd Academy Awards Oscar Best International Film shortlist has been revealed with the number increased from nine to ten for this year. From France, Cannes Jury Prize winner Les Misérables, Ladj Ly, director; Poland, Corpus Christi, Jan Komasa, director; Spain, Pain And Glory, starring Cannes Best Actor Antonio Banderas, Pedro Almodóvar, director; Czech Republic, The Painted Bird, Václav Marhoul, director; Hungary, Those Who Remained, Barnabás Tóth, director; Kazakhstan, Ayka, Sergey Dvortsevoy, director; Russia, Beanpole, Cannes Un Certain Regard Best Director Kantemir Balagov; Senegal, Cannes Grand Prix winner Atlantics, Mati Diop, director; North Macedonia, Honeyland, Ljubo Stefanov and Tamara Kotevska, directors; South Korea, Cannes Palme d'Or winner Parasite, See full article at » Oscars: Academy Releases Shortlists For Nine Categories Including Documentary, International Film, VFX, Song, Score & Shorts by Erik Pedersen Deadline The Academy of Motion Picture Arts and Sciences has released its Oscar shortlists for nine categories at once. Here are the films vying for final slots for the 92nd annual Academy Awards in Documentary Feature, Documentary Short Subject, International Feature Film, Makeup and Hairstyling, Music (Original Score), Music (Original Song), Animated Short Film, Live Action Short Film and Visual Effects: Here they are: Documentary Feature One hundred fifty-nine films were submitted in the category. Members of the Documentary Branch vote to determine the shortlist and the nominees. The films, listed in alphabetical order by title, are: Advocate American Factory The Apollo Apollo 11 Aquarela The Biggest Little Farm The Cave The Edge of Democracy For Sama The Great Hack Honeyland Knock Down the House Maiden Midnight Family One Child Nation Documentary Short Subject Ninety-six films qualified in the category. Members of the Documentary Branch vote to determine the shortlist and the nominees. See full article at Deadline » Oscars Shortlist: Academy Reveals Remaining Contenders in Nine Categories by Marc Malkin The Academy of Motion Picture Arts and Sciences announced shortlists in consideration for the Oscars in nine categories: documentary feature, documentary short subject, international feature film, makeup and hairstyling, music (original score), music (original song), animated short film, live action short film and visual effects. The full lists are below: Documentary Feature Fifteen films will advance in the documentary feature category after 159 films were submitted in the category. “Advocate” “American Factory” “ The Apollo ” “ Apollo 11 ” “ Aquarela ” “ The Biggest Little Farm ” “The Cave” “ The Edge of Democracy ” “For Sama” “ The Great Hack ” “ Honeyland ” “ Knock Down the House ” “ Maiden ” “ Midnight Family ” “ One Child Nation ” Documentary Short Subject Ten films will advance in the documentary short subject category. There were 69 films qualified in the category. “After Maria 'Parasite', 'Les Misérables', 'Atlantics' on international feature film Oscar shortlist by 36¦Jeremy Kay¦54¦ ScreenDaily Nominees to be announced on January 13, 2020. Parasite, Les Misérables and Atlantics are among the 10 films to make it on to the Academy’s international feature film shortlist, announced on Monday afternoon (16). The Americas and Middle East miss out completely in the category this year, after Alfonso Cuarón ’s Mexican drama Roma won the award last season in its final iteration as the foreign language Oscar. Ironically it was Cuarón’s acceptance speech that inadvertently played a part in convincing Academy senior brass they needed to rename the category. There is also no love for Scandinavian submissions, while Eastern Europe dominates the list with five films. See full article at ScreenDaily » 2020 Oscars: Academy Awards shortlists in 9 categories – International Feature Film, Documentary Feature, Original Song, Score … by Paul Sheehan Gold Derby For the second time in Oscars history, the academy released the short lists in nine categories all at once. On Monday, December 16, the hopefuls in a wide range of races found out if they are still in contention for the 92nd annual Academy Awards. Among these are the marquee awards for Best International Feature Film (which was pared down to 10 films from the 92 submitted) and Best Documentary Feature (which went from 159 to 15). The race for Best Visual Effects, which had already been narrowed down to 20 films, was cut in half. Both music awards – Best Original Song and Best Original Score — were winnowed down to just 15 contenders from upwards of 75 submissions apiece. And the Best Makeup and Hairstyling race as well as the three awards for shorts – animated, documentary and live-action — were culled from dozens of entries to 10 apiece. Documentary Feature One hundred and fifty-nine films were eligible for consideration; there are 15 on the shortlist. See full article at Gold Derby » Oscars: International Feature Film Shortlist Includes ‘Parasite’, ‘Pain & Glory’, ‘Honeyland’, ‘Atlantics’ & More by Nancy Tartaglione Updated, with more detail: The Academy of Motion Picture Arts and Sciences has pulled back the curtain on its shortlist for the International Feature Film Oscar race. Not surprisingly, the expanded field of 10 includes Bong Joon Ho’s Palme d’Or winner Parasite, which already has been making waves this awards season, and Pedro Almodóvar ’s Pain And Glory, whose star Antonio Banderas won Best Actor at Cannes and is up for a Golden Globe Award. Also on the list is France’s Les Misérables from Ladj Ly, one of the breakout filmmakers of this year’s Cannes. Each of those titles received Golden Globe nominations last week in the comparable Foreign Language category. As expected, Russia’s Beanpole from Kantemir Bagalov, Barnabas Toth’s Hungarian pic Those Who Remained and Mati Diop ’s Atlantics from Senegal further made the Oscar shortlist cut today. The four films that round it ‘Parasite’ and ‘Pain and Glory’ Advance on Oscars Best International Film Shortlist by Brian Welk and Steve Pond The Wrap Bong Joon Ho ’s twisted black comedy “ Parasite ” and Pedro Almodovar’s semi-autobiographical reverie “ Pain and Glory ” are among the 10 movies to land on the shortlist in the Best International Feature Film category at the 2019 Academy Awards. Also on the list: “ The Painted Bird ” from the Czech Republic, “ Truth and Justice ” from Estonia, “ Les Miserables ” from France, “ Those Who Remained ” from Hungary, “ Honeyland ” from North Macedonia, “ Corpus Christi ” from Poland, “ Beanpole ” from Russia and “ Atlantics ” from Senegal. “ Honeyland, ” which follows an aging beekeeper in North Macedonia, also made the shortlist in the Oscars’ Best Documentary Feature category. Well-received films that did not make the cut include “ Invisible Life ” from Brazil, “ And Then We Danced ” from Sweden, “ The Whistlers ” from Romania and “ Monos ” from Colombia. Also Read: Oscars International Race 2019: Complete List of Films This marks the second consecutive year that South Korea, formerly shut out of the Oscars international race, See full article at The Wrap » Palm Springs Film Fest 2020 Presents a Showcase of 51 International Oscar Contenders 10 December 2019 by Ryan Lattanzio Indiewire The annual Palm Springs International Film Festival in California is always an opportunity to catch up on many of the contenders for the Best International Feature — née Best Foreign-Language — Film Academy Award. Now in its 31st edition, the festival this year has 51 of them, from favorite-to-beat “ Parasite ” from South Korea and Senegal’s “ Atlantics, ” to other films quietly making strides in the race: Czech Republic’s “ The Painted Bird, ” Sweden ’s “ And Then We Danced, ” Russia’s “ Beanpole, ” Romania’s “ The Whistlers, ” North Macedonia’s documentary contender “ Honeyland, ” Norway’s “ Out Stealing Horses, ” and many more. The festival will screen 188 films from 81 countries, including 51 premieres, from January 2-13, 2020. The Awards Buzz section includes a special jury of international film critics, who will review these films to present the Fipresci Award for Best Foreign Language Film of the Year, as well as Best Actor, Best Actress, and Best Screenplay in this category. See full article at Indiewire » Palm Springs Film Festival Sets Lineup; ‘An Almost Ordinary Summer’ & ‘Military Wives’ Are Opening- And Closing-Night Movies by Pete Hammond One hundred eighty-eight films films from 81 countries including 51 premieres highlight the lineup for the 31st annual Palm Springs International Film Festival, which kicks off January 2 with a star-studded gala that has become a must-stop during awards season for Oscar hopefuls. The festival, which runs through January 13, also is known for showcasing a large number of submissions in the Motion Picture Academy’s International Film (formerly Foreign Language) competition and will feature 51 of those entries. The opening-night film on January 3 is the Italian farce An Almost Ordinary Summer, while the closer is director Peter Cattaneo ’s heartwarming dramedy Military Wives in which Kristin Scott Thomas, Sharon Horgan and Jason Flemyng lead a superb ensemble cast. The film had its world premiere at September’s Toronto International Film Festival and became an instant crowd-pleaser. Bleecker Street releases it in 2020. Among the previously announced honorees at the January 2 gala are Antonio Banderas, Renee Zellweger, Eastern Europe Fields Strong Oscar Entries 05 December 2019 by Guy Lodge Western Europe traditionally gets the lion’s share of attention in the international film category, with France and Italy still leading the record books in terms of nominations and wins. But a number of the most exciting contenders among this year’s submissions hail from a little further east: in a bumper year for cinema from Central and Eastern Europe, a few titles stand out. Language has been a subject of significant controversy in this year’s Oscar race. Yet, the Academy has moved the needle on this front in recent years: not so long ago, films that weren’t in an official language of the submitting country were ineligible. That would have ruled out this year’s submission from the Czech Republic, “ The Painted Bird. ” Aiming to be the first Czech film to score a nomination since 2003’s “ Zelary, ” Václav Marhoul ’s film is a linguistic anomaly in all ‘Bad Poems’ to open 19th Hungarian Film Festival (exclusive) 06 November 2019 Event to run from November 8-14. Gabor Reisz will attend the screening of his comedy Bad Poems on the opening night of the 19th Hungarian Film Festival on November 7 at the Laemmle Royal in Santa Monica. The festival is scheduled to run from November 8-14 at the Laemmle Town Center 5 and will showcase the latest Hungarian features, TV, documentaries, and animation. Highlights are expected to include Barnabas Toth attending with his international feature film Oscar submission Those Who Remained, a restored version of cult 1981 cult animation Son Of The White Mare, and Peter Bergendy’s Trezor, the first Hungarian film Oscars: Record 93 Countries Submit Entries for Best International Feature Film 07 October 2019 by Dave McNary A record-breaking total of 93 countries have submitted entries to be considered for best international film nominations at the Academy Awards. The Academy announced the full list of eligible films and countries on Monday. Ghana, Nigeria and Uzbekisztan are competing for the first time in the category, which was previously known as the best foreign-language film category. The previous high for submissions was 92 in 2017. A total of 87 films were submitted last year. Alfonso Cuaron’s “ Roma ” won the category this year, becoming the first Mexican entry to win the award. High-profile entries include South Korea’s “ Parasite, ” Bong Joon Ho’s black comedy which won the Palme d’Or at the Cannes Film Festival; Spain’s “ Pain and Glory ” from Pedro Almodovar with Antonio Banderas starring as a film director; Japan’s “ Weathering With You, ” the country’s first animated entry since “ Princess Mononoke ”; Senegal’s “ Atlantics ” from director Mati Diop, Oscars: A Record 93 Films Qualify For Best International Feature Film by Anne Thompson Thompson on Hollywood The 2020 foreign-language Oscar nominees will come from submissions from 93 countries, up from last year’s 87, and breaking the record 92 from 2017. A contender for the renamed Best International Feature must be a feature-length motion picture (more than 40 minutes) produced outside the United States with a predominantly non-English dialogue track. Ghana, Nigeria, and Uzbekistan are first-time entrants, but Uganda did not qualify. China ( Yu Yang ’s “Ne Zha”) and Senegal ( Mati Diop ’s “ Atlantics ”) submitted their films under the wire on the deadline of October 1. Earlier this year, the Academy’s Board of Governors voted not only to rename the Foreign Language Film category, but to expand the shortlist from nine films to 10. The 2019 submissions, listed in alphabetical order by country, are: Albania, “The Delegation, ” Bujar Alimani, director; Algeria, “Papicha, ” Mounia Meddour, director; Argentina, “ Heroic Losers, ” Sebastián Borensztein, director; Armenia, “Lengthy Night, ” Edgar Baghdasaryan, director; Australia, “ Buoyancy, ” Rodd Rathjen, director; Austria, “ Joy, See full article at Thompson on Hollywood », Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. 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Azért a heteró az alap:1.Ádám és éva nem Ádám és Ákos NEM VÉLETLEN!2. Kettő nem van azért hogy utódot tudjanak csinálni +ha elég lenne két fiú hogy gyerek legyen akkor minek csinált nőt. Mielőtt bárki belém kötne, semmi bajom a melegekkel, sőt egy időben yaoit is néztem. Szóval megragadott ez a rész hogy: miért a hetero az alapbeállitás? Hát bazdmeg nem is tudom mert mondjuk a legtöbb ember heteroszexuális és az a normális hiszen így vagyunk képesek utódot nemzeni, így marad fent az ember. Ezért, meg pár apróságért eléggé bugyutának tűnik a film.

Minden párban élőnek ajánlom, mert elgondolkodtatóan igaz! Meghatóan szép. Jó film volt. Állítólag a forgatásokon Stohl András kokaint és speedet fogyasztott.